Residents
[[ PLACEHOLDER: short note on the people who have agreed to talk on camera. ]]
The situation
[[ PLACEHOLDER: 1–2 sentence narrative lede that names the place and the 100-year arc of extraction — anthracite then, industrial waste now. Owner-supplied. ]]
[[ PLACEHOLDER: a single, doc-grounded paragraph on what residents live with day-to-day — dust, truck traffic, odor, water concerns — phrased as community experience, not as accusation. ]]
[[ PLACEHOLDER: a turn line. When citizens speak up, what do they meet? Keep narrative, not specific to any named party. ]]
Why filmmakers
[[ PLACEHOLDER: a single, declarative paragraph — what is here that only a camera can capture? Why is a documentary lens what this story needs? Owner-supplied. Distill from copywording.md if helpful. ]]
[[ PILLAR 1 — what filmmakers will hear ]]
Real people, on the record, ready to talk on camera about what they have seen and what they have lived with.
[[ PILLAR 2 — what filmmakers will see ]]
A landscape that holds the evidence of more than a century of extraction — and the daily proof that it is not finished.
[[ PILLAR 3 — what filmmakers will learn ]]
A regional power story playing out in working-class communities that rarely make the national frame.
What you'll find
Residents
[[ PLACEHOLDER: short note on the people who have agreed to talk on camera. ]]
Land + locations
[[ PLACEHOLDER: short note on access to the sites that tell the story visually. ]]
Records
[[ PLACEHOLDER: short note on the documentation already collected — public filings, photos, video. ]]
An invitation
[[ PLACEHOLDER: short closing paragraph — what happens when a filmmaker fills out the form. Who reads it, when do they hear back, what's expected of them. Owner-supplied. ]]